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Awardee: Libby King

Performing Arts, 2013

Libby King recently won Best Female Performance at the Dublin Fringe Festival 2007 for the role of Sarah Springer in the TEAM’s Particularly in the Heartland, which she created. In 2008, she created the role of Carrie Campbell in Architecting, produced by the National Theatre of Scotland at the Traverse Theatre, Edinburgh. Favorite roles include Astrov in Uncle Vanya (CSC, director Rachel Chavkin), Sarah Springer in Particularly in the Heartland (Dublin Fringe, Galway; UK TOUR; Harbour Front Center in Toronto; PS122; BAC in London; and the Traverse Theatre). Other credits include The BlindLEARegardlessSpringtime, Tennessee Williams in Quarter TimeTwo Gentleman of VeronaDeath of a Salesman and The Tavern. Libby played Dottie in Killer Joe as her thesis role at Louisiana State University where she received her MFA in Acting.

http://www.theteamplays.org

Project: Primer for a Failed Superpower

Primer for a Failed Superpower is a theatrical concert event inspired by the 1980s hardcore punk scene. It will feature a new band of 30-somethings (the TEAM), a teenage ensemble (ages 13-18, sourced wherever the work tours), multimedia and narrative  elements—all in pursuit of the following questions: Is America a failing superpower? How does a teenager, and a teenage nation, grow up? The defining geopolitical moment of the artists’ childhoods was the fall of the Berlin Wall. For the next generation, who many of the TEAM teach, their formative moment was September 11th.Primer is about preparing our minds for a shifting national identity, through conversations with the next generation, and a love letter to our future children about growing up in the 1980s.

Collab: The TEAM

The TEAM is a Brooklyn-based ensemble dedicated to creating new work about the experience of living in America today. Once described by The Guardian as “theatrical excavators of American culture, American dreams and the American psyche,” the company's work crashes characters from our nation's history and mythology into modern stories. The TEAM makes all of its work collaborativey, through a uniquely democratic writing process that fuses research, physical and verbal improvisation, and consensus-driven editing; in a final production it is nearly impossible to trace any one line of dialogue or image back to a single author’s hand. 

Founded in 2004, The TEAM has created and toured 10 original works to date. Their work has been seen in New York at the Public Theater, PS122, Vineyard Theatre, Ohio Theatre, and The Bushwick Starr; nationally at ArtsEmerson, A.R.T., Walker Art Center, Playmakers Repertory Theatre, Kansas City Repertory Theatre, Virginia Tech, and the University of Nevada, Las Vegas; and internationally at the National Theatre, Royal Court Theatre, Barbican, Almeida Theatre, and Battersea Arts Centre in London; Edinburgh’s Traverse Theatre; Culturgest in Lisbon; the Salzburg Festival; Galway Festival; Perth International Arts Festival; and Hong Kong Arts Festival.

http://www.theteamplays.org